Picture: Isis and Horus

Ancient Egypt Pictures
As the dynastic age progressed, Isis' role as the mother and protector of the infant king Horus grew in popularity. Art historians have speculated that images of Isis nursing Horus may have inspired the early Christian artists who depicted Mary with the infant Jesus in a similar fashion.

Related articles

• Osiris (egyptian-gods.info)
• Cleopatra as Isis (ancient-egypt-history.com)

The Ancient Egyptian Double-Plumed Headdress

Tomb of Ramses VI Plan - Valley of the Kings - Part V - Luxor, Egypt

Valley of the kings, Luxor, Egypt.

This tomb was started by Ramses V and was usurped by his successor. It has three entrance halls, two chambers, a further two corridors, an ante-chamber and the tomb chamber. The wall representations are carried out in low painted relief. The standard of craftsmanship is not high but the tomb chamber itself has one of the most important ceilings in the Valley of the Kings. In fact names and mottoes in Coptic and Greek show that this Golden Hall was an attraction from the first century A.D.

The first three corridors carry texts and representations from the Praises of Ra .On both sides of the first corridor, at (a) and (b), the deceased Pharaoh stands before the deities Harachte (Horus) and Osiris. On the right-hand side of the second corridor (c) is the barge of the Sun God with the twelve hours of night. Towards the end of the left-hand wall (d) is the figure of Osiris before whom is the boat of the Sun God. A pig (representing evil) is being driven away from it by sacred dog-headed apes. We now pass into the third corridor.

On the roof there is a painting of the goddess Nut which extends from the beginning of the corridor (3) , through the ante-chamber (4) when: her body curves to the right of the roof, and ends in the chamber (5). On the right-hand wall of the third corridor is a superb representation of Osiris under a canopy (e).

The chamber (5) has four columns and a sloping passage at the rear which is guarded by sacred winged snakes. The columns show the Pharaoh making offerings to the deities. The roof is rich in color. On the rear walls (f) and (g) are representations of the enthroned Osiris before whom the deceased burns incense. 

Though the color is well-preserved, the reliefs are inferior when compared to those in the tomb of Seti I. The following corridor (6) takes us further along the road to the underworld. On the left -hand side (h) is the journey in the fourth hour with the sacred cow (center row) and the crocodile in a boat (second row).

The sloping corridor (7) has sacred and protective emblems and religious formulas from the book of "That which is in the Underworld" , and leads to an ante-chamber (8). On the right-hand wall (i) is the deceased Pharaoh with Maat. The left-hand wall (j) has texts from the Book of the Dead.

Dark blue and gold predominate in the tomb chamber (9). Across the vaulted ceiling 'the goddess Nut is twice represented along its entire length, in a graceful semi-circle with backs touching. This represents the morning and evening skies. Her elongated body curves to touch the earth with finger and toe, head to the west, loins to the east.

The entire chamber is a complex of appropriate texts from the Book of the Dead. For example, on the right-hand wall (k) is a small representation (second row) of the boat of the Sun God, who is represented in the shape of a beetle with a ram's head. The boat is being worshiped by two human-headed birds and the souls of Khepri and Atum (forms of the Sun God). Below this scene (to left and right) are the beheaded condemned and above is a representation of the goddess Nut with upstrctched arms.

In the niche at the rear of the tomb chamber (l) is the barge of the Sun God held aloft in upstretched arms.

The smashed sarcophagus of the Pharaoh and his molested mummy were left onsite by the grave-robbers who violated the tomb.

Egypt: Tomb of Seti I Plan - Valley of the Kings - Part III Largest Tomb

Giovanni Belzoni, who discovered the tomb in 1817, was a circus man who originally came to Egypt to market an irrigation pump he had designed in England. The project fell through but he arranged the transportation of the colossal head of Ramses II from the Ramasseum to the British Museum in London.

This is a classical tomb that far surpasses all others
in the Valley of the Kings both in size and
 in the artistic execution of the sculptured walls.
 Every inch of wall space of its entire 100 meter length 
is covered with representations which were carried 
out by the finest craftsmen.

He turned his energies to the Valley of the Kings and made this remarkable find just one year later. When the Turkish officials in Egypt heard of the discovery they straightway made for the tomb, bent on the delightful thought of acquiring priceless treasure. Down the corridors they went, ran sacking every corner only to find to their disappointment that the tomb contained no more than an empty sarcophagus.A steep flight of stairs leads to the entrance of Seti's tomb which is covered with sacred texts along its full length from the highest reaches down to the bed rock. The first corridor (I) is carved in high relief. On the left-hand wall (a) the sun-disc bearing a scarab, and the ram-headed Sun God can be seen between a serpent , acrocodile and two cows' heads. The texts which start on the left are continued to the right (b). The roof is painted with flying vultures.

The second corridor (2), which is staircased, has thirty-seven forms of the Sun God depicted on the upper part of the recesses on both sides. As we descend to the third corridor , Maat, goddess of truth, faces us with outstretched wings above the doorway (r). Isis is represented on the left-hand side (d), and Nephthys (Nebethet) on the right (e), and they both kneel on the hieroglyph for 'gold' and place their hands upon a seal ring. Above them, on each side of the corridor, the jackal-god Anubis can be seen. The wall reliefs here have not been completed but we can see the outlines in black, the master's touch in red, and the accuracy with which the relief is carved from the bottom up wards.

Proceeding beneath Maat with her outstretched wings we pass into the third corridor (3), which has dramatic representations of the fifth hour of night from the fifth chapter of the Book of the Dead. Towards the middle of the left-hand wall (f) the sun-boat (damaged) is driven through the netherworld by seven gods and seven goddesses and in front of it march four gods and the goddess Isis. On the right-hand wall (g) the Sun God and his retinue are drawn through a land inhabited by demons and monsters (top and bottom rows) and we see a serpent with three heads, wings and human legs. But the Sun God is safe, drawn by Horus and Thoth (middle row) who carry an eye as a protection against evil. The ceiling is blackened from the candles of the early Christians who hid in the tomb, as it is believed.

From the third corridor onwards the quality of the color on the reliefs is superb. We now come to a small ante-chamber (4). The walls, both to left and right, show the Pharaoh between Harmachis and Isis offering wine to Hathor. We now enter a square chamber with four pillars (s) . On the pillars themselves the Pharaoh is shown before the various deities: Isis and Nephthys (Nebethet) the sister-wife and the sister of Osiris, Harbor the goddess of joy and love who was also the goddess of Dendera to whom the cow was sacred, Selket the goddess to whom the scorpion was sacred, Horus the universal Sun God, and Harsiesis and Harmaches who were special forms of Horus; also of course Anubis, the jackal-god of embalming. The walls, especially those at the sides, have marvelous representations of the sun travelling through the fourth region of the underworld. On the rear wall (h) Osiris is enthroned before Hathor while the Pharaoh is led into his presence by the hawk-headed Horus. This is a superb mural with intricate detail and rich color. Near the corner of the left-handwall (i) the four chief races of men known at the time stand before Horus: these are Egyptians, Asiatics with pointed beards and colored aprons, four backs and four Libyans with feathers on their heads and tattooed bodies.The chamber (6), situated to the right and entered via an arrow flight of steps, was never completed. Whether this was because it was discovered that the walls were of inferior material, or as a blind to mislead grave-robbers, is not known, but the sketches on the walls are bold and compelling and show the touch of a master craftsman. The original sketch was done in red. The corrections in black were probably the work of the senior artist , after which the carvers took over. The left-hand wall (j) shows the journey during the ninth hour of the underworld: the sacred cow, ram, bird and human head guarding the procession against the fiery serpents. On the rear-wall (k) is the tenth hour with the hawk joining the protective deities and the spirits carrying arrows and lances. On the right-hand wall (I) is the eleventh hour with the condemned in the 

lower row. The enemies of the Sun God are being burned under the supervision of the hawk-headed Horus in strange furnaces, whilst fire-breathing goddesses stand watch with swords.

(The picture above is for the ceiling of the tomb 
of Seti I at the Valley of the Kings)

We retrace our steps to the chamber of pillars (s), to the left of which a stairway, carefully concealed by the builders of the tomb, descends to the fourth corridor (7). To the left of this corridor (m) is a figure of the Pharaoh (destroyed) seated at an offering table. Above him hovers a hawk and before him stands a priest.
We descend a few more steps into a small corridor (8) which is decorated with texts of the ceremonies performed before the statue of the deceased Pharaoh in order that he may eat and drink in the hereafter. On the right-hand wall (n) is a list of offerings.

The picture above is of an unfinished 

relief work at the tomb of Seti I

The picture above is for a scene 

from burial chamber of Seti I's tomb

The ante-chamber (9) is decorated with the gods of the dead including Anubis, Isis, Hathor, Harsiesis and Osiris. Finally we come to a large hall (10). Here a slight incline with steps at the sides takes us to the mummy-shaft, which comprises two portions. The front portion has pillars and the rear portion a vaulted ceiling. It was in the front section that the alabaster sarcophagus of the Pharaoh stood when
the tomb was discovered. It was made out of a single piece of alabaster, carved to a thickness of two inches and with the exquisite reliefs filled in with blue paste. This magnificent piece is comparable only to the alabaster vase found in Tutankhamun's tomb which is today in the Cairo Museum. The mummy, which was one of those found at Deir el Bahri (Hatshepsut's Temple), is in the same museum. The sarcophagus lies in the Soane Museumin in London. When Belzoni, who was commissioned to transport it, took it to the British Museum, the trustees considered the price set too high and the treasure was without a buyer until 1824 when Sir John Soane paid £2,000 for it. The decorations on the walls of the pillared portion of the hall show the journey through the first region of the underworld on the left entrance-wall (0) and through the fourth region of the underworld on the left-hand wall (p). In a small recess at the end of this wall (q) is a beautiful representation of Anubis performing theopening-of- the-mouth ceremony before Osiris. On the right-hand entrance wall (r) and the right-hand wall (s) are representations of the journey through the second region of the underworld. The vaulted ceiling has been painted with astrological figures. From early times, of course, the Egyptians had mapped out the heavens, identified some of the fixed stars and were able to determine the positions of others. This ceiling is unusual in that it has not been painted in the familiar balanced, repetitive form. Adjoining the tomb chamber are four side-rooms. The first one on the right (11) has the text of a myth that concerns the rebellion of mankind against the Sun God, their punishment and final rescue. On the rear wall is a magnificent relief of the heavenly cow of the myth supported by Shu, the god of the atmosphere,and bearing on its back two boats of the sun.

The Tomb of Seti I, Book of the Dead

The chamber on the left (12) has a shelf decorated with a cornice running around the three main walls. It contains more dramatic representations of the Pharaoh's progress through various provinces, safeguarded by the spells of Isis, the sacred Ibis and the ostrich feather - symbol of justice and truth. Spirits and demons (left-hand wall (t), middle row) greet the procession. The foes of Osiris are beheaded by a lion-headed god (top row), and dwellings of the deceased gods and spirits open their doors as the Sun God approaches (rear wall (u), middle row), showing the dead restored to life, and serpents with heads of genii of the dead upon their backs, or with swords in their hands, rising in unison to annihilate the foes of the Sun God at the end of the journey.

The Pharaoh will overcome. With the help of the Sun God the doors of the hereafter are open to him. He will enter with his valuables and possessions; with the ability to eat and drink; and imbued with life so as to reign again. This is his ultimate hope.

Egypt : Shrine of Hathor Plan - Mortuary Temple of Queen Hatshepsut (Deir El Bahri) - Part IV

Hatshepsut Temple (Deir El-Bahri), Luxor, Egypt: 

To the left of the Colonnade of Punt stands the Shrine of Hathor (D) . It has two roofed-in colonnades with Hathor columns leading to the shrine itself which comprises three chambers, one behind the other , and each with several recesses. In the colonnaded court is a large sacrificial scene on the southern wall (d) showing a boat containing the Hathor-cow with Queen Hatshepsut drinking from the udder. On the rear western wall is a representation of Thutmose II (replacing Hatshepsut) having his hand licked by the Hathor-cow.

In the first chamber (e) Hatshepsut or Thutmose III is represented with several of the deities. The color is excellent, especially on the ceiling which is decorated with stars on a blue sky. The second room (f) shows Hatshepsut (scraped) making offerings to Hathor. who stands on the sacred barge beneath the canopy. This

is a relief of unusual beauty. Ehi, son of Horus, is the little nude boy who holds a sistrum in front of the queen. The third room (g) has an unusual pointed roof and the wall reliefs show Hatshepsut (on each of the side walls) drinking from the udder of the cow, Hathor, with Amon standing before them. On the back wall is another particularly beautiful relief of Hatshepsut standing between Hathor and Amon with the latter holding before her face the hieroglyph symbol of life.